Amrita Sher-Gil (1913-1941) was of Hungarian-Indian descent. Her father, Umrao Singh Sher-Gil, was a Sikh aristocrat, and her mother, Marie Antoinette Gottesmann, was a Hungarian-Jewish opera singer. Amrita studied art in Europe, and her exposure to Western art greatly influenced her style. Despite finding success in Europe, Amrita felt a deep connection to India and returned to the country in the 1930s, and her time in the country had a profound impact on her artistic direction.
Her style blended European techniques with an Indian sensibility, emphasizing realism and capturing the emotional depth of her subjects. She was known for her portraits, including those of her family members and herself. Notable works include “Young Girls” and “Group of Three Girls.” Sher-Gil’s representations of women challenged traditional norms. She portrayed women with agency and complexity, breaking away from stereotypical depictions.
She passed away on December 5, 1941, at the young age of 28.
Amrita Sher-Gil played a crucial role in shifting the focus of Indian art from purely academic and traditional styles to a more contemporary and socially engaged form. Amrita Sher-Gil achieved greater recognition after her death. In 1976, the Government of India declared her former studio in Delhi as a national art treasure.
Amrita Sher-Gil’s family, recognizing the significance of her contributions to Indian art, donated a considerable number of her paintings to the National Gallery of Modern Art (NGMA) in India. These donations have allowed art enthusiasts, scholars, and the public to have access to and appreciate Sher-Gil’s masterpieces
